The title of this series of photographs refers to both the material flatness of the photograph itself, as well as the perceptual flattening of the still life space. The images in this series explore the tendency of the camera to flatten pictorial space, and as a result, foster ambiguous spatial readings. The still life arrangements are comprised of painted plywood boards, physical prints of Photoshop gradient patterns, and photographs. I am interested in the tension between the compressed space of the image and the visual clues that allude to the dimensionality of the still life. The camera is the agent of uncertainty that invites seeing as both an intimate and critical exercise.